Lets get the tricky one out the way first. The Top 5 Tables from the smow design spring. In no particular order.

Liesmichl by Nils Holger Moormann for Moormann

Liesmichl by Nils Holger Moormann for Moormann.
If there’s one thing Moormann excel at it’s producing book friendly furniture. From the outrageous Bookinist over the classically overtoned Bookstabler and onto the book-friendly desk Kant, the Allgauer always seem to have readers at the forefront of their thoughts. And Liesmichl is no exception; space for books your going to read, a place to safely lay the book you are reading when you need/want a break, and a place for your drink and snacks. And if your not convinced check out Nils Holger Moorman on (smow)tube. Liesmichl. Top Table.

Tints by Jason Miller

Tints by Jason Miller.
As we were young scallywags causing mayhem and heartbreak wherever we got the chance, sweeties shone in a wonderfully opaque way. It may have been the memory of those care-free days that first drew our eye to Jason Millers Tints. Or it may have been the gorgeous way the legs fit into the frame, the optic caused by the wood/glass combination. Or it may have been Jake’s glasses. Regardless, however, of “why” we are glad we were drawn to Tints. Beautifully crafted, familiar and inviting in their styling and fresh in their design Tints are truly a table range that can and will provide pleasure in a number of setting. Tints. Top Table.

Flip by Alexander Seifried for Richard Lampert

Flip by Alexander Seifried for Richard Lampert.
If you were to hold us, upside down, over the edge of our balcony by our ankles, we would probably admit that Flip table standing in the corner of our balcony is just a few bits of metal welded together.
But then so is a 1954 Corvette Convertible, Blue Flame Six
With it’s wonderfully timeless elegance, smooth action and universal functionality Flip is a wonderful table for all who have limited space, know how to enjoy the space and don’t want to compromise when it comes to high-quality furniture. Flip. Top Table.

Adenike by Bao-Nghi Droste

Adenike by Bao-Nghi Droste
Admittedly less of a table, and more of an independent work station, Adenike nevertheless makes it into our Top Five Tables. Beautifully crafted, functional, practical and aesthetically charming Adenike is a product that truly achieves the aim the designer set themselves. And despite it’s intended function as a meeting point, we know that if we had one here in our Lower-East Plagwitz Village office we would spend a good deal reading the paper on it, sleeping on it and using it as a refuge from the daily chores. Adenike. Top Table.

ETR by Charles and Ray Eames from Vitra

ETR – Elliptical Table Rod Base by Charles and Ray Eames from Vitra
As if proof were needed that only new design can be good. In Milan we saw the Eamse’s ETR for the first time “live”, as it were, and were truly blown away by it. There is something about the height of the table – or possibly the height to length ratio – that gives the ETR a regency that few other pieces of furniture can ever hope to reach. Laissez fe surf-styling combined with Bauhaus bent steel elegance. Gorgeous. ETR. Top Table.

And a special mention goes to Table Fights. Hasta La Vista

We at (smow)blog we have often mentioned Vitras Net’n'Nest office design concept – one the one hand because we like it and on the other because as an official Vitra partner we at smow like to draw attention to new developments and products from Vitra.
We have, however, never made a secret of the fact that one can – if one wants – mix and match furniture from various producers.

Adenike by Bao-Nghi Droste

Which was pretty much our third thought upon seeing Adenike by Heidelberg based designer Bao-Nghi Droste at DMY Youngsters in Berlin.
Our first thought was what a fantastic object.
Our second was then, hhhmmm wonderful design, but with the padded surface it is a bit impractical for writing and drawing.
Then we spoke to Bao-Nghi and realised that our interpretation of it’s usage was incorrect.
Although the upper surface is solid enough to allow one to write on it, Adenike should be seen more as temporary work or meeting island. Or simply as a place to withdraw to from a group work situation in the same room and either do some work by yourself, or just read a paper and relax.

Adenike in action - Three designers discuss an object.

The first thing you notice, or better said don’t notice, when you approach Adenike is how it draws you in. You automatically lean on it, use it, interact with it. But because of the quality of the design you don’t notice, it feels natural, feels good.

Adenike has enough space for 4 or 5 people to comfortably work around it, and with it’s own in-built lamp is perfect for checking proofs, finalising documents or even playing poker to wile away a slow afternoon. Sorry to encourage a creative brainstorming session to ensure your company maintains the commercial high-ground.

In addition to beautifully fulfilling it’s intended function Adenike is also a well crafted piece of furniture; you genuinely don’t need to be a carpenter to appreciate the craftsmanship of the joints.

And so after chatting with the extremely amiable Bao-Nghi and testing Adenike, we came to thought three.

Adenike promotes a good working atmosphere

Adenike is perfect for all whose work involves occasional group discussions and/or short bursts of group consultation. Or for those who after a long sitting session creating something, want to stand to check the outcome of their work.  And so a wonderful addition for any office looking to base it’s layout on the principles of the Vitra Net’n'Nest concept.

Adenikeis currently not is serial production, and so if you are interested you will need to contact Bao-Nghi Droste direct.